The production, sticking closely to Shakespeare’s text (in translation), highlights the narratives of women whose bodies are traded as commodities and emphasizes that no sexual relationship can be fulfilling without affirmative consent. Read more…

The production, sticking closely to Shakespeare’s text (in translation), highlights the narratives of women whose bodies are traded as commodities and emphasizes that no sexual relationship can be fulfilling without affirmative consent. Read more…
Jean Genet’s The Balcony defies easy standards of “like” and “dislike”. Read more…
I deeply value museums. But I also know that they are, by nature, institutions for the elite. Read more…
If you like to waltz with tomatoes…. Read more…
It works like a boxing match. There are three rounds. Each writer has been given a prompt ahead of time. Working with opposing themes like blessing and curse, reap and sow, light and dark, the writers have seven minutes to perform their essay or short story or poem or list. Whoever gets the most claps from the audience wins. Read more…
It’s the year of the absurd, the year of the meta-theater, the year of the nearly-nude, and a year not to miss Ramshead’s Original Winter One Acts. Read more…
Human and object bleed together in Markus Schinwald’s furniture sculptures and futuristic paintings. Read more…
The crowd at Robinson’s interview comprised a mix of middle-aged literary types and, unusually, Calvinists (more on that later). Read more…
imagesBy(Alex Bayer)
We assume the dictionary has the answers, but it needs us to first ask questions. In the intimate act of looking up a word, we tell a piece of wide lexicographical narrative. Read more…
A blue plastic action figure was my ticket into an hour of hot peppers, raw meat, boners, ketchup vomit, feminism, Lil Jon, and candid questioning of the human condition. Read more…