A bright eyed, pretentious and uninformed culture writer trying to write about an event she watched but didn’t experience. Read more…
Archive for Justine Beed
(‘17, Anthropology/Creative Writing, Multimedia Editor) is a hopeless wanderer hailing from Moscow, Windhoek, Maryland, Mexico City, Asunción, Tokyo, Cairo, and now Palo Alto, California. She loves good movies and music. Writing and film is her thing, but dammit she can’t sing.
Pipes: Episode 3, Part 1 The Outsiders (3 members)
For the third episode of Pipes, we feature three of the members from The Outsiders, a music collective whose mixtape, ‘O/X1’, has just dropped. Read more…
Moments of Pause VI: Banana Hammock
Let’s carb the fuck up, babe. Read more…
Introducing Stacks, or Writers in Libraries Episode 1: Jackson Roach
The Stanford Arts Review presents “Stacks”, a new miniseries where we follow fresh Stanford writers into the dusty stacks of Green Library Read more…
Pipes: Episode 2 Jace Alexander feat. Abigail Flowers
For the second episode of Pipes, we feature Jace Alexander singing his dance-track-turned-intimate-duet “Bluff” with Abigail Flowers. Read more…
Introducing Pipes, or Musicians in Bathrooms Episode 1: Maria Doerr
The john’s daily significance in our lives can only be rivaled by its acoustic favorability, and we find it an ideal stage for shower-singers and masterful musicians alike. Read more…
StAR Takes On Sundance 2015 23 Mini-Reviews from the Festival
From quirky documentaries to psychological thrillers, Sundance 2015 was a great success. Read more…
Cheryl Strayed, Heartbreak Kid
Strayed uses the material world, the observable, the touchable world to break the heart of the reader. Break it in a way that doesn’t leave us feeling empty. She breaks it in a way that makes us feel full. Read more…
Pics Or It Didn’t Happen: Lessons from Cotopaxi’s Questival
I became someone I didn’t like during the weekend of October 24th. Read more…
‘Pippin’ brings circus to the Golden Gate Theater
Slinky hat and cane Fosse dances to songs about gore and death, a time-stopping back-flip through a hula hoop, and the impossibility for any character to remain dead are all part of the magic, the colored lights, the circus tent, the fantastic spectacle. Nevertheless, the show’s second pulse, the display of the ordinary as extraordinary and vice versa gives it an emotional life. Read more…