(‘16, English, Editor-in-Chief) learned most of his English from Cartoon Network. What Bojan cares about: Freud, cities, gazpacho, and you.
It is extremely easy to slip into the mindset of considering Sammi Cannold (’16) a rising star. We might be lulled into thinking this, but she certainly isn’t. Modest, focused, and driven, she proclaims to approach theatre holistically, never centering a show around any given subset of its team (ahem, actors).
Or sadness, if you’re in twenty two units. Or gladness, if you’re stoked about Stanford Men’s Basketball team’s spot in the tournament, or about this video by the women’s team, or about spring break and the ten wild weeks that are Stanford Spring Quarter.
Let’s stick with gladness. Here are some tracks to get you through to the break.
There are people in the world right now who are celebrating Mardi Gras instead of frantically trying to finish essays that were due two days ago. Maybe I’ll go to NOLA’s.
Shout out to all those guys who got their faces on our money for giving us a day to rest after midterms and NBA All-Star Weekend. Only a four day week to clean all the illicit substances from your room before your parents visit!
how crazy is this playlist? about as crazy as walking between tresidder and old union at 11:30 this morning. WOAH. WOAH. KEEP IT TOGETHER, TEAM. MACAULAY CULKIN AND MILES DAVIS ON THE SAME PLAYLIST.
I did not ask for identity politics. I showed up at the dress rehearsal for My Fair Lady at Stanford’s Memorial Auditorium expecting a young actress to show me what she could do with her vibrato.
Editor’s Note: Peyton Manning submitted a number of songs but they were too sad. Russell Wilson did as well, but they were just repeated submissions of ‘And We Danced‘ by Macklemore. We chose to omit both entries.
Three day weekend left you weakened? Now is not the winter quarter of your discontent. If you’re feeling down, start bumping these tracks, even if you’re in Green Library. People will appreciate your verve.
Sacrifices to the founder of Pantera, mile-high copulation, quirky office romances, and Mr. Alligator-induced dialogue all abound in Ram’s Head’s Original Winter One Acts, playing January 16-18 at Stanford’s Pigott Theater. To say that OWOA has no underlying theme this year would be a sordid understatement. But don’t worry – as is often the case in the art of combination, a loss in thematic uniformity is a showcase for aesthetic diversity. To my eyes, OWOA shows exactly this: how many directions a Stanford one-act can take.
If you’re reading this right now, it means you’ve survived and escaped the snowpocalypse that took over every place except California. Shout out to Stanford and our fantastic location.